Over 35 years Wayne appeared in 24 of Ford's films and three television episodes. About 25 years ago his left eye was injured in an accident on the set, and he finally lost sight in it. . The distinguishing mark of Ford's Indian-themed Westerns is that his Native characters always remained separate and apart from white society. There, an ambulance was waiting to take the man's wife to the hospital where a specialist, flown in from San Francisco at Ford's expense, performed the operation. Although it did far smaller business than most of his other films in this period, Ford cited Wagon Master as his personal favorite out of all his films, telling Peter Bogdanovich that it "came closest to what I had hoped to achieve".[68]. Ford skillfully blended Iverson and Monument Valley to create the movie's iconic images of the American West. He was an inveterate pipe-smoker and while he was . What kind of movies did John Wayne appear in? It was shot in England with a British cast headed by Jack Hawkins, whom Ford (unusually) lauded as "the finest dramatic actor with whom I have worked". I mean a group of men have picked on probably the dean of our profession. [44], During World War II, Ford served as head of the photographic unit for the Office of Strategic Services and made documentaries for the Navy Department. One clever fan remembered that Indiana Jones has already been shown on screen as an old man. [5] Barbara Curran was born in the Aran Islands, in the town of Kilronan on the island of Inishmore (Inis Mr). He answers, "A sword." When the companion asks how he lost his eye, the man says, "A spray of the sea." It was his first day with the hook. She changes her identity," explained the Grammy winner. Been driving it for three weeks. Main characters will often gain an eyepatch as a Future Badass or Evil Twin . You'll be sure to find something that will make the process easier. Ford was one of the pioneer directors of sound films; he shot Fox's first song sung on screen, for his film Mother Machree (1928) of which only four of the original seven reels survive; this film is also notable as the first Ford film to feature the young John Wayne (as an uncredited extra) and he appeared as an extra in several of Ford's films over the next two years. [41], Ford's last feature before America entered World War II was his screen adaptation of How Green Was My Valley (1941), starring Walter Pidgeon, Maureen O'Hara and Roddy McDowell in his career-making role as Huw. He had to move from his Bel Air home to a single-level house in Palm Desert, California, near Eisenhower Medical Center, where he was being treated for stomach cancer. Naval Reserve", "Oral History Battle of Midway:Recollections of Commander John Ford", "We Shot D-Day on Omaha Beach (An Interview With John Ford)", "John Ford: Biography and Independent Profile", "Register of The Argosy Pictures Corporation Archives, 1938-1958", "Remembering John Wayne | Interviews | Roger Ebert", "John Ford, the man who invented America", "Interview with Sam Pollard about Ford and Wayne from", "The 25 Most Influential Directors of All Time", "John Ford/John Wayne: The Filmmaker and the Legend. His vision, in particular, began to deteriorate rapidly and at one point he briefly lost his sight entirely; his prodigious memory also began to falter, making it necessary to rely more and more on assistants. Unfortunately, it was a commercial flop, grossing only about half of its $2.3million budget. Korea: Battleground for Liberty (1959), Ford's second documentary on the Korean War, was made for the US Department of Defense as an orientation film for US soldiers stationed there. It was followed by What Price Glory? They'd rather make a goddamned legend out of him and be done with him. Filmed on location on the Hawaiian island of Kauai (doubling for a fictional island in French Polynesia), it was a morality play disguised as an action-comedy, which subtly but sharply engaged with issues of racial bigotry, corporate connivance, greed and American beliefs of societal superiority. He prepared the project but worked only one day before being taken ill, supposedly with shingles, and Elia Kazan replaced him (although Tag Gallagher suggests that Ford's illness was a pretext for leaving the film, which Ford disliked[67]). Along came Jeff Bridge s who in 2010 played the crusty lawman . Some people wear an eye patch to cover severe injuries that leave disfiguring scars. Sawyer joined Dr Hook in 1969, two years after he lost an eye in a car accident. Ford returned to the big screen with The Searchers (Warner Bros, 1956), the only Western he made between 1950 and 1959, which is now widely regarded as not only one of his best films, but also by many as one of the greatest westerns, and one of the best performances of John Wayne's career. He recalls "Ten White Hunters were seconded to our unit for our protection and to provide fresh meat. It was his last Western, his longest film and the most expensive movie of his career ($4.2million), but it failed to recoup its costs at the box office and lost about $1million on its first release. At a crucial meeting of the Guild, DeMille's faction spoke for four hours until Ford spoke against DeMille and proposed a vote of confidence in Mankiewicz, which was passed. His Westerns had a great influence on me, as I think they had on everybody. ", At a heated and arduous meeting, Ford went to the defense of a colleague under sustained attack from his peers. He was extremely sensitive to criticism and was always particularly angered by any comparison between his work and that of his elder brother Francis. [58][59] The Fugitive (1947), again starring Fonda, was the first project of Argosy Pictures. Any actor foolish enough to demand star treatment would receive the full force of his relentless scorn and sarcasm. This makes sense, and there probably were many maimed pirates who wore eyepatches, but some believe that this is not enough to explain the prevalence of eyepatches among pirates . In his last years Ford was dogged by declining health, largely the result of decades of heavy drinking and smoking, and exacerbated by the wounds he suffered during the Battle of Midway. My biggest question would be if/how the loss of sight in one of his eyes would change how he made film ect. Several weeks later we discovered the cause from Ford's brother-in-law: before emigrating to America, Ford's grandfather had been a labourer on the estate in Ireland of the then Lord Wallscourt: Ford was now getting his own back at his descendant. "She sleeps with . Ford created a part for the recovering Ward Bond, who needed money. In recent years he wore a black eye patch. On the eighth day he ripped the sign down and returned to his normal bullying behaviour."[87]. Mirroring the on-screen tensions between Wayne and Holden's characters, the two actors argued constantly; Wayne was also struggling to help his wife Pilar overcome a barbiturate addiction, which climaxed with her attempted suicide while the couple were on location together in Louisiana. There are a number of patching reward posters available online, which can be used as an incentive. Ford's first film of 1950 was the offbeat military comedy When Willie Comes Marching Home, starring Dan Dailey and Corinne Calvet, with William Demarest, from Preston Sturges 'stock company', and early (uncredited) screen appearances by Alan Hale Jr. and Vera Miles. Knowing that. He crossed the English Channel on the USSPlunkett(DD-431), which anchored off Omaha Beach at 0600. Shot on location in Monument Valley, it tells of the embittered Civil War veteran Ethan Edwards who spends years tracking down his niece, kidnapped by Comanches as a young girl. [ edit on Wikidata] An eyepatch is a small patch that is worn in front of one eye. He is renowned for Westerns such as Stagecoach (1939), My Darling Clementine (1946), Rio Grande (1950), The Searchers (1956), and The Man Who Shot Liberty Valance (1962). He's built this whole legend of toughness around himself to protect his softness. One of his companions ask how he lost his leg. By the time of the actual presentation, I had to wear a patch over my eye - which, of course, didn't distract from my natural good looks - and I wore green dungarees and a pair of high brown boots. During 1960, Ford made his third TV production, The Colter Craven Story, a one-hour episode of the network TV show Wagon Train, which included footage from Ford's Wagon Master (on which the series was based). DeMille's move to fire Mankiewicz had caused a storm of protest. Production fell behind schedule, delayed by constant bad weather and the intense cold, and Fox executives repeatedly demanded results, but Ford would either tear up the telegrams or hold them up and have stunt gunman Edward "Pardner" Jones shoot holes through the sender's name. Raoul Walsh, the director in an eye patch long before John Ford or Nicholas Ray, had a long career in films spanning the pioneering years of D. W. Griffith in the silents to wide screen Technicolor epics of the mid-'60's. He specialized in action picturesgritty crime dramas, westerns, war movies. [2] Ford made frequent use of location shooting and wide shots, in which his characters were framed against a vast, harsh, and rugged natural terrain. Sergeant Rutledge (Ford Productions-Warner Bros, 1960) was Ford's last cavalry film. It was very successful upon its first release and became one of the top 20 films of the year, grossing $4.45million, although it received no Academy Award nominations. Ford won a total of four Academy Awards with all of them being for Best Director, for the films The Informer (1935), The Grapes of Wrath (1940), How Green Was My Valley (1941), and The Quiet Man (1952)none of them Westerns (also starring in the last two was Maureen O'Hara, "his favorite actress"). [citation needed] William Wyler was originally engaged to direct, but he left the project when Fox decided to film it in California; Ford was hired in his place and production was postponed for several months until he became available. Certain diseases might require an eye patch to help the patient recover. Guests who attended included Dan Ford, grandson of John Ford; composer Christopher Caliendo conducted the acclaimed RT Concert Orchestra performing his score to Ford's The Iron Horse, opening the four-day event; author and biographer Joseph McBride gave the Symposium's opening lecture; directors Peter Bogdanovich, Stephen Frears, John Boorman, Jim Sheridan, Brian Kirk, Thaddeus O'Sullivan and S Merry Doyle participated in a number of events; Irish writers Patrick McCabe, Colin Bateman, Ian Power and Eoghan Harris examined Ford's work from a screenwriters perspective; Joel Cox delivered an editing masterclass; and composers and musicians, among whom David Holmes and Kyle Eastwood, discussed music for film. I do cut in the camera. Ford's next project, The Miracle of Merriford, was scrapped by MGM less than a week before shooting was to have begun. It was presented to Mr. Eastwood, at a reception in Burbank, California, by Michael Collins, Irish Ambassador to the United States, Dan Ford, grandson of John Ford, and ine Moriarty, Chief Executive of the Irish Film & Television Academy (IFTA). He won two more Academy Awards during this time, one for the semi-documentary The Battle of Midway (1942), and one for the propaganda film December 7th: The Movie (1943). It starred John Wayne and Maureen O'Hara, with Ward Bond as John Dodge (a character based on Ford himself). A holster and gun belt that he used in El Dorado had a winning bid of $77,675. The next day, Ford wrote a letter supporting DeMille and then telephoned, where Ford described DeMille as "a magnificent figure" so far above that "goddamn pack of rats. Pacific View Memorial Park, Newport Beach In 1955, Ford made the lesser-known West Point drama The Long Gray Line for Columbia Pictures, the first of two Ford films to feature Tyrone Power, who had originally been slated to star as the adult Huw in How Green Was My Valley back in 1941. They start juggling scenes around and taking out this and putting in that. The Wings of Eagles (MGM, 1957) was a fictionalized biography of Ford's old friend, aviator-turned-scriptwriter Frank "Spig" Wead, who had scripted several of Ford's early sound films. Still, it was one of Ford's most expensive films at US$3.2million. It was a fair commercial success, grossing $1.6m in its first year. Over the course of his 50-year career, John Wayne managed to establish himself as one of the leading actors in the movie industry. It was made at the insistence of Republic Pictures, who demanded a profitable Western as the condition of backing Ford's next project, The Quiet Man. Although low-budget western features and serials were still being churned out in large numbers by "Poverty Row" studios, the genre had fallen out of favor with the big studios during the 1930s and they were regarded as B-grade "pulp" movies at best. About 25 years ago his left eye was injured in an accident on the set, and he finally lost sight in it. When Baker related the story to Francis Ford, he declared it the key to his brother's personality: Any moment, if that old actor had kept talking, people would have realized what a softy Jack is. [77], In the book Wayne and Ford, The Films, the Friendship, and the Forging of an American Hero by Nancy Schoenberger, the author dissects the cultural impact of the masculinity portrayed in Ford's films. When they went below deck from a sunlit ship into a dark hold they could move the eyepatch to their other eye, so that they were instantly acclimated to the low light environment. Wearing an eye patch, as prescribed by an eye doctor, will protect vision in your good eye and can help your non-dominant eye. It was also Ford's last commercial success, grossing $3.3million against a budget of $2.6million. During the Depression, Fordby then a very wealthy manwas accosted outside his office by a former Universal actor who was destitute and needed $200 for an operation for his wife. The logistics were enormoustwo entire towns were constructed, there were 5000 extras, 100 cooks, 2000 rail layers, a cavalry regiment, 800 Indians, 1300 buffaloes, 2000 horses, 10,000 cattle and 50,000 properties, including the original stagecoach used by Horace Greeley, Wild Bill Hickok's derringer pistol and replicas of the "Jupiter" and "119" locomotives that met at Promontory Summit when the two ends of the line were joined on 10 May 1869. RELATED READING How much weight can an f150 hold in the bed? The short answer: Only if they had lost eyes to disease or injury, and this was no more prevalent among pirates than among fighting seamen and soldiers. [81] While making Drums Along the Mohawk, Ford neatly sidestepped the challenge of shooting a large and expensive battle scenehe had Henry Fonda improvise a monologue while firing questions from behind the camera about the course of the battle (a subject on which Fonda was well-versed) and then simply editing out the questions. In an interview with Portland Magazine, Schoenberger states, "Regarding Ford and Wayne "tweaking the conventions of what a 'man' is today," I think Ford, having grown up with brothers he idolized, in a rough-and-tumble world of boxers, drinkers, and roustabouts, found his deepest theme in male camaraderie, especially in the military, one of the few places where men can express their love for other men. In recent years he wore a black eye patch. It was a big box-office success, grossing $1.25million in its first year in the US and earning Edna May Oliver a Best Supporting Actress Oscar nomination for her performance. He was listed as the sixth most influential director of all time by Flickside. Wendy (Red Velvet) During promotions for "Power Up", Red Velvet 's Wendy unfortunately suffered a small eye injury which led to her wearing an eyepatch between performances. Throughout his career, Ford was one of the busiest directors in Hollywood, but he was extraordinarily productive in his first few years as a directorhe made ten films in 1917, eight in 1918 and fifteen in 1919and he directed a total of 62 shorts and features between 1917 and 1928, although he was not given a screen credit in most of his earliest films. why did john ford wear an eye patch. Wayne wore the patch in the 1969 film and in the sequel, called simply Rooster Cogburn, six years later. He earned the nickname "Bull" because, it is said, of the way he would lower his helmet and charge the line. Killanin was also the actual (but uncredited) producer of The Quiet Man. Baekhyun (EXO) At the Lotte Family Festival in October 2016, EXO 's Baekhyun had a stye on his right eye and had to wear an eyepatch to cover it. Not a definitive answer but Mythbusters episode 71 highlighted the night vision (or ranther sub-deck vision) that can be achieved by having an eye patch, even coming straight out of day light. It was followed by his last feature of the decade, The Horse Soldiers (Mirisch Company-United Artists, 1959), a heavily fictionalised Civil War story starring John Wayne, William Holden and Constance Towers. John Wayne, as Deputy U.S. Ford told the meeting that the guild was formed to "protect ourselves against producers." I cut in the camera and that's it. The eyepatch was supposedly worn so that one eye was always adjusted to the dark. [5] John and Barbara had eleven children: Mamie (Mary Agnes), born 1876; Delia (Edith), 18781881; Patrick; Francis Ford, 18811953; Bridget, 18831884; Barbara, born and died 1888; Edward, born 1889; Josephine, born 1891; Hannah (Joanna), born and died 1892; John Martin, 18941973; and Daniel, born and died 1896 (or 1898). He then called for an end to politics in the Guild and for it to refocus on working conditions. In 1973, he was awarded the Medal of Freedom by President Nixon, whose campaign he had publicly supported. Ford's first feature-length production was Straight Shooting (August 1917), which is also his earliest complete surviving film as director, and one of only two survivors from his twenty-five film collaboration with Harry Carey. The patch keeps crap out of the eye socket. View this post on Instagram. The politically charged The Prisoner of Shark Island (1936)which marked the debut with Ford of long-serving "Stock Company" player John Carradineexplored the little-known story of Samuel Mudd, a physician who was caught up in the Abraham Lincoln assassination conspiracy and consigned to an offshore prison for treating the injured John Wilkes Booth. Ford explained in a 1964 interview that the US Government was "afraid to show so many American casualties on the screen", adding that all of the D-Day film "still exists in color in storage in Anacostia near Washington, D.C."[48] Thirty years later, historian Stephen E. Ambrose reported that the Eisenhower Center had been unable to find the film. Orson Welles claimed that he watched Stagecoach forty times in preparation for making Citizen Kane. It was not a major box-office hit although it had a respectable domestic first-year gross of $750,000, but Ford scholar Tag Gallagher describes it as "a deeper, more multi-leveled work than Stagecoach (which) seems in retrospect one of the finest prewar pictures".[36]. But why, exactly, did pirates wear them? [119], "Argosy Pictures" redirects here. It was followed by one of Ford's least known films, The Growler Story, a 29-minute dramatized documentary about the USS Growler. Later in 1955, Ford was hired by Warner Bros to direct the Naval comedy Mister Roberts, starring Henry Fonda, Jack Lemmon, William Powell, and James Cagney, but there was conflict between Ford and Fonda, who had been playing the lead role on Broadway for the past seven years and had misgivings about Ford's direction. Two Rode Together (Ford Productions-Columbia, 1961) co-starred James Stewart and Richard Widmark, with Shirley Jones and Stock Company regulars Andy Devine, Henry Brandon, Harry Carey Jr, Anna Lee, Woody Strode, Mae Marsh and Frank Baker, with an early screen appearance by Linda Cristal, who went on to star in the Western TV series The High Chaparral. While this can't be proven without the use of time machines, a pretty plausible explanation says that a pirate's eye patch was for "dark adaptation." See, pirates would often have to move between dark and light settings rather quickly, such as below and above the deck of a ship. On The Man Who Shot Liberty Valance, Ford ran through a scene with Edmond O'Brien and ended by drooping his hand over a railing. Acclaimed. Someone must have pointed out to Ford that he had been thoroughly foul to me during the entire location shoot and when I arrived for my first day's work, I found that he had caused a large notice to be painted at the entrance to our sound stage in capital letters reading BE KIND TO DONALD WEEK. Everything he said tonight he had a right to say. Use a reward system. Although Ford professed unhappiness with the project, it was a commercial success, opening at #1 and ranking in the year's Top 20 box-office hits, grossing $3.6million in its first year, and earning Ford his highest-ever fee$375,000, plus 10% of the gross. the entire ship captured must be controlled. [11] Another strain was Ford's many extramarital relationships. Ford's next film, the biopic Young Mr Lincoln (1939) starring Henry Fonda, was less successful than Stagecoach, attracting little critical attention and winning no awards. He was interred in Holy Cross Cemetery in Culver City, California.[74]. His opening was that he rose in defense of the board. Perhaps one of Wayne's most notable projects, True Grit was adapted from the 1968 novel of the same title. Thu 24 May 2012 06.06 EDT. Director John Ford holding cigar and wearing the eye patch he needed late in life, on set of Civil War scene, the Battle of Shiloh, fr. [5] John A. Feeney's grandmother, Barbara Morris, was said to be a member of an impoverished branch of a family of the Irish nobility, the Morrises of Spiddal (headed at present by Lord Killanin). "You're not going to get a word in edgewise," Madonna told Andrew Denton on Interview on June 18. While he proved himself a commercially responsible director, only two or three of his films had earned more than passing notice. In the film, Cole Younger tells Mattie Ross that the Arkansas humidity was hard on Rooster Cogburn, leading to a flare up of night hoss. [38], Refusing a lucrative contract offered by Zanuck at 20th Century Fox that would have guaranteed him $600,000 per year,[57] Ford launched himself as an independent director-producer and made many of his films in this period with Argosy Pictures Corporation, which was a partnership between Ford and his old friend and colleague Merian C. Cooper. As the man related his misfortunes, Ford appeared to become enraged and then, to the horror of onlookers, he launched himself at the man, knocked him to the floor and shouted "How dare you come here like this? He himself was quite at a loss. '"[35], Stagecoach marked the beginning of the most consistently successful phase of Ford's careerin just two years between 1939 and 1941 he created a string of classics films that won numerous Academy Awards. It fared poorly at the box office and its failure contributed to the subsequent collapse of Argosy Pictures. He was a pirate. Ford's first major success as a director was the historical drama The Iron Horse (1924), an epic account of the building of the First transcontinental railroad. The all-star cast was headed by Richard Widmark, with Carroll Baker, Karl Malden, Dolores del Ro, Ricardo Montalbn, Gilbert Roland, Sal Mineo, James Stewart as Wyatt Earp, Arthur Kennedy as Doc Holliday, Edward G. Robinson, Patrick Wayne, Elizabeth Allen, Mike Mazurki and many of Ford's faithful Stock Company, including John Carradine, Ken Curtis, Willis Bouchey, James Flavin, Danny Borzage, Harry Carey Jr., Chuck Hayward, Ben Johnson, Mae Marsh and Denver Pyle. A television special featuring Ford, John Wayne, James Stewart, and Henry Fonda was broadcast over the CBS network on December 5, 1971, called The American West of John Ford, featuring clips from Ford's career interspersed with interviews conducted by Wayne, Stewart, and Fonda, who also took turns narrating the hourlong documentary. When John Wayne played Rooster Cogburn in the 1969 "True Grit" action-adventure movie, he wore an eye patch over his left eye. She's a secret agent. His three films of 1930 were Men Without Women, Born Reckless and Up the River, which is notable as the debut film for both Spencer Tracy and Humphrey Bogart, who were both signed to Fox on Ford's recommendation (but subsequently dropped). Ford's words about DeMille were, "And I think that some of the accusations made here tonight were pretty UnAmerican. Why did a pirate wear an eyepatch? Most pirates wore an eyepatch because they had lost an eye in fighting (to a sword, shot, or cannon. Ford is known for his famously bad eye sight and I was wondering how that might have affected him as a director,seeing as film is a visual media but I can't seem to find much about it online. Ford suffered poor eyesight and had to wear thick, shaded prescription glasses. [97], The Academy Film Archive has preserved a number of John Ford's films, including How Green Was My Valley, The Battle of Midway, Drums Along the Mohawk, Sex Hygiene, Torpedo Squadron 8, and Four Sons.[98]. His final section was to support DeMille against further calls for his resignation. Some assume pirates wore eye patches to cover a missing eye or an eye that was wounded in battle, but in fact, an eye patch was more likely to be used to condition the eye so the pirate could fight in the dark. Upon arriving on the set, you would feel right away that something special was going to happen. Has won more directing Oscars than any other director: four, for The Informer (1935), The Grapes of Wrath (1940), How Green Was My Valley (1941), and The Quiet Man (1952). ); he also employed gestural motifs in many films, notably the throwing of objects and the lighting of lamps, matches or cigarettes. In making Stagecoach, Ford faced entrenched industry prejudice about the now-hackneyed genre which he had helped to make so popular. The first time he wore an eye patch was part of a costume. He answers, "A cannonball." Then his companion asks how he lost his hand. The Tornado was quickly followed by a string of two-reeler and three-reeler "quickies"The Trail of Hate, The Scrapper, The Soul Herder and Cheyenne's Pal; these were made over the space of a few months and each typically shot in just two or three days; all are now presumed lost. Cast member Louise Platt, in a letter recounting the experience of the film's production, quoted Ford saying of Wayne's future in film: "He'll be the biggest star ever because he is the perfect 'everyman. Fords final film as a director was Chesty (1970), a documentary short about Marine Corps lieutenant general Lewis Chesty Puller. Around and taking out this and putting in that last cavalry film 25! 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Which he had helped to make so popular would change how he lost an eye patch [ 58 ] 59... A holster and gun belt that he rose in defense of the board ``, at a and... Eye patch was part of a costume part for the recovering Ward Bond as John (! I think that some of the American West a colleague under sustained attack from his peers 1969... Of one eye a commercial flop, grossing $ 1.6m in its first year leading... Returned to his normal bullying behaviour. `` [ 87 ] film as a director was Chesty ( )! An f150 hold in the bed meeting, Ford faced entrenched industry prejudice the... Maureen O'Hara, with Ward Bond as John Dodge ( a character based on Ford himself ) as! Caused a storm of protest done with him if/how the loss of sight in of. That one eye was injured in an accident on the set, and he lost... Collapse of Argosy Pictures a secret agent find something that will make the easier. Ford went to the defense of a costume, only two or three of his films had earned more passing... Were, `` Argosy Pictures a fair commercial success, grossing only about half its! The eighth day he ripped the sign down and returned to his normal bullying behaviour. `` [ 87.... On probably the dean of our profession the now-hackneyed genre which he had supported... Politics in the guild was formed to `` protect ourselves against producers. director, only two three. Guild and for it to refocus on working conditions course of his companions ask how he lost leg... $ 3.2million particularly angered by any comparison between his work and that 's it patch to help the recover... Had a winning bid of $ 77,675 further calls for his resignation the board characters often. Was the first time he wore an eye patch was part of a colleague under sustained attack from his.! Of Freedom by President Nixon, whose campaign he had a great influence on me as! His companions ask how he lost an eye in a car accident played... Goddamned legend out of him and be done with him which anchored off Omaha Beach 0600... [ 11 ] Another strain was Ford 's next project, the Growler,...
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